Pennsans Presentation (2005) unfolded as a fragmented narrative of travel, memory, and absurdity. Stories of distant journeys were shared alongside maps, music, and images of places that had once been visited. Objects buried beneath the sand were unearthed—fragments of a past or imagined expedition. A small chair held an oversized explorer, weighed down and immobilised by memory.

Elongated sticks extended as arms, each holding a message at its tip. The messages conveyed nothing in particular, and yet the act of delivering them suggested answers. The messages brought reality. Nothing could be understood—there was too much to say, and no one knew how to say it.

Language, though present, remained unintelligible. The performance was visually surreal, its logic elusive. The beach became a site of escape and entrapment, discovery and distortion. Nothing quite made sense—yet everything pointed toward the fragility of meaning, the failure of communication, and the restless desire to make sense of a world that continually resists understanding.